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A Stony Plain artist's biography
JOE LOUIS WALKER: SOULFUL BLUESMAN TEAMS WITH PRODUCER DUKE ROBILLARD FOR NEW STONY PLAIN ALBUM DUE SEPT. 30
"WITNESS TO THE BLUES" REDEFINES MODERN BLUES FOR THE 21ST CENTURY. TOUGH, HARDEDGED AND READY TO BRING A POWERFUL ARTIST TO AN EVEN WIDER INTERNATIONAL AUDIENCE
Introduction:
One of the most surprising things about Joe Louis Walker - apart from his skills as a singer, guitarist,
songwriter and producer - is the impact he has had as a performer who proves to international audiences
that the blues are alive and very well indeed.
Only B.B. King has taken the blues further, and to more destinations, than Walker. Now, with a new
internationally-released album on the Canadian roots music label Stony Plain, he's ready to pack his
suitcase once again.
"Witness to the Blues" is a tour de force - a varied, smart, funny, hard-edged collection of blues that
ranges from acoustic to rockin' horn-laden material that reminds you of Stax in its heyday. Walker handles
the vocals (including a duet with young blues diva Shemekia Copeland), plays acoustic, electric and slide
guitar, and adds some harmonica solos as well.
In fact, Joe Louis Walker, helped by guitar-master Duke Robillard (who produced the CD and played on
many of the tracks), makes a major contribution to the much-needed campaign to bring the blues into the
21st century.
Background:
In many ways, Walker's story is unusual. Born in San Francisco (on Christmas Day 1949) and now based in
Westchester, New York, he was part of the Bay Area blues scene in his early teens, and by the time he was
16 he had soaked up the sounds of the likes of T-Bone Walker, Amos Milburn, and boogie woogie pioneers
Meade Lux Lewis and Pete Johnson. As he grew up, he found himself on stage with such disparate tutors
as John Lee Hooker, Thelonius Monk, the Soul Stirrers, Steve Miller and Jimi Hendrix. And by the time he
was 19 he had built a close friendship - they were roommates for many years - with Mike Bloomfield.
Bloomfield's tragic early death persuaded the young Walker to change his life. He enrolled at San Francisco
State University, earning music and English degrees - and performing regularly with a gospel group, The
Spiritual Corinthians.
In 1985, he came back to the blues, fronting a new band he called The Bosstalkers, and making the first of
five albums for the HighTone label, before signing to PolyGram's Verve/Gitanes label, for who he recorded
another six albums.
These records served as an entrée into the European market. Sterling appearances at major festivals
throughout Europe (North Sea Jazz, Glastonbury, Nottoden and Montreux among them) led to further
tours and festivals in Japan, Australia, Taiwan, Ireland, Turkey and Brazil.
Along the way he played President George Bush's inauguration, helped President Bill Clinton induct B.B.
King into the Kennedy Centre Awards, and performed on America's most-watched late-night television
shows.
Foreground:
Joe Louis Walker is a walking encyclopedia of blues history, and blues vocal and guitar styles. In fact, one
of the very few who can match his eclectic tastes in music is Duke Robillard, the veteran guitarist who
founded Roomful of Blues when he was a teenager, and who has made a dozen albums for Stony Plain.
Holger Petersen, who heads the Canadian-based roots label, was delighted by the choice of Robillard as
producer for "Witness to the Blues." And for Robillard, the sessions were a joy. "There's a lot of diversity
on this CD, yet it hangs together really well."
The material - more than half the 11 tracks were written by Walker - includes two traditional blues
pieces (Sugar Mama and Rollin' and Tumblin') which he completely transforms. A highlight of the CD is a killer duet with Shemekia Copeland on the Peggy Scott & Jo Jo Benson classic, Lover's Holiday.
The back up players are all musicians with long experience with Robillard, including horn players Doug
James and Scott Aruda, Bruce Katz on keys, Jon Ross on bass and Mark Teixeira on drums. Robillard
himself adds guitar parts on five cuts.
Both vocally and instrumentally, Joe Louis Walker is indeed a "witness to the blues," and the creative,
sometimes startling approach to America's most significant music holds a bright lantern for others to
follow.
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